By Gabrielle Zevin
SPOILERS
On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. They borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo: a game where players can escape the confines of a body and the betrayals of a heart, and where death means nothing more than a chance to restart and play again. This is the story of the perfect worlds Sam and Sadie build, the imperfect world they live in, and of everything that comes after success: Money. Fame. Duplicity. Tragedy.
Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, games as artform, technology and the human experience, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.
REVIEW
THEMES: EMOTIONAL, TENSE, MOVING, CONTEMPORARY, MEDIUM-PACED.
Sadie Green and Sam Masur love each other. They have a strong connection, which stems from their shared love of video games. They have been friends since childhood, after meeting at a hospital, under unfortunate circumstances. Despite their friendship resulting in a lifechanging venture, they must also brave heartbreak and betrayal. The question is, can they?
That was not what I was expecting.
The portrayal of friendship, especially Sadie and Sam’s, reminds me of Demon Copperhead. What I mean, is that it is so raw and real and doesn’t shy away from ugliness. Among many other things, I think the mark of a good book is when you hate the characters… some of the time. Obviously, I need balance, otherwise, If I detest a character I get into the habit of mumbling angrily and it’s not a good look.
I am impressed with how much story Gabrielle Zevin is able to fit into 400 pages. I have recently read a 1000-page book, and the characters don’t have half the depth of these ones (don’t even get me started). I am actually surprised that it is 400 pages, because it felt like so much more.
A fair warning, there are intense themes in this book, including; suicide, gore, sexual assault and, honestly, a consistent bleakness. That’s not to say there is no happiness in the book, but from my perspective, Zevin aims to perpetuate authentic relationships and events. So, it is not sugar-coated or glossed over.
I feel let down by Sadie’s character. There was so much potential for her, but all she is reduced to is her experience with men. Whilst interacting with men is a fact of life, there is more to it than that. All of Sadie’s lore revolves around seeking validation from men or being betrayed by them. Why didn’t Zevin bring back her sister and explore that?
I am getting a little fed up with sexual assault/misconduct being a constant in female character building. I have mentioned this before in previous reviews. Sometimes, I am unsurprised due to the calibre of the stories, but this one had potential – hence my disappointment.
If you like realistic books, like Demon Copperhead, I would give this one a go.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
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