There are Heroes – and then there are Greek Heroes.
Few mere mortals have ever embarked on such bold and heart-stirring adventures, overcome myriad monstrous perils, or outwitted scheming vengeful gods, quite as stylishly and triumphantly as Greek heroes.
In this companion to his bestselling Mythos, Stephen Fry brilliantly retells these dramatic, funny, tragic and timeless tales. Join Jason aboard the Argo as he quests for the Golden Fleece. See Atalanta – who was raised by bears – outrun any man before being tricked with golden apples. Witness wily Oedipus solve the riddle of the Sphinx and discover how Bellerophon captures the winged horse Pegasus to help him slay the monster Chimera.
Filled with white-knuckle chases and battles, impossible puzzles and riddles, acts of base cowardice and real bravery, not to mention murders and selfless sacrifices, Heroes is the story of what we mortals are truly capable of – at our worst and our very best.
Heroes is book 2 of Stephen Fry’s 4 book instalment of the Greek Myth retellings. Heroes, unsurprisingly, focuses on the heroes of Greek Mythology; Jason, Theseus, Oedipus, Bellerophon etc.
This is my least favourite of the 4.
Now, that is not because I did not find it interesting. Every story is interesting, and I like them all individually. However, [stop reading if you do not want anything remotely spoiled] I can’t get past that everything that happened to these supposed ‘heroes’, only happened because the Gods willed it. I know all these stories are fictional in the first place, but it was like children playing with their dolls.
Apart from that, I again, was surprised by how often these stories are referenced in contemporary media and literature. I also feel a whole lot smarter, because now, I actually understand them.
Fry’s writing was clear, interesting and easy to read. I am amazed by his ability to translate so much information into a 400-page book. His comedic take on conversations made the stories all the more enjoyable.
Like Mythos, I would recommend to beginners, but it could be too broad for someone more knowledgeable on the area.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
“What is it you think you’re protecting in that brain of yours? The war is over. Holdfast is dead. The Eternal Flame extinguished. There’s no one left for you to save.”
Once a promising alchemist, Helena Marino is now a prisoner—of war and of her own mind. Her Resistance friends and allies have been brutally murdered, her abilities suppressed, and the world she knew destroyed.
In the aftermath of a long war, Paladia’s new ruling class of corrupt guild families and depraved necromancers, whose vile undead creatures helped bring about their victory, holds Helena captive.
According to Resistance records, she was a healer of little importance within their ranks. But Helena has inexplicable memory loss of the months leading up to her capture, making her enemies wonder: Is she truly as insignificant as she appears, or are her lost memories hiding some vital piece of the Resistance’s final gambit?
To uncover the memories buried deep within her mind, Helena is sent to the High Reeve, one of the most powerful and ruthless necromancers in this new world. Trapped on his crumbling estate, Helena’s fight—to protect her lost history and to preserve the last remaining shreds of her former self—is just beginning. For her prison and captor have secrets of their own . . . secrets Helena must unearth, whatever the cost.
⭐⭐
Rating: 2 out of 5.
REVIEW
THEMES: FANTASY, EMOTIONAL, TENSE, DARK ACADEMIA, SLOW-PACED.
Helena Marino is a prisoner being held by the enemy she once fought against. She is imprisoned in the residence of the High Reeve who is notorious for his murderous rampages. Even though her records show she is nothing more than a healer, she possesses something they want. The issue is, it is hidden within her mind and neither they nor Helena can access it. Helena must dig deep to reveal what is being hidden within her, though that raises the question… is it hidden for a reason? And will uncovering it save or doom her?
TW: Sexual assault, gore, torture, intense violence and much more.
Does this book need to be this long?
No. It really and truly does not. This could have been 500 pages.
The plot of the story is strong; the settings are described in detail, and I could clearly picture every place described. There is no misconception that SenLinYu is a talented writer. There were multiple points where I was looking forward to coming back to the story.
Whilst I did enjoy aspects of the book, the characters fell entirely flat. Helena is a martyr and I cannot understand why she did the things she did. The characters SenLinYu were trying to push as ‘good’ never actually did anything to prove this narrative. There is also an inappropriate dynamic and I am displeased with how it unfolds.
I will go into more detail on my spoiler review; I have very strong feelings so brace for a rant.
In saying all this, I am not a big fan of ‘dark academia/fantasy’, so that definitely contributes to my rating.
From a fantasy reader (or just a reader), I would give this one a miss.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
“What is it you think you’re protecting in that brain of yours? The war is over. Holdfast is dead. The Eternal Flame extinguished. There’s no one left for you to save.”
Once a promising alchemist, Helena Marino is now a prisoner—of war and of her own mind. Her Resistance friends and allies have been brutally murdered, her abilities suppressed, and the world she knew destroyed.
In the aftermath of a long war, Paladia’s new ruling class of corrupt guild families and depraved necromancers, whose vile undead creatures helped bring about their victory, holds Helena captive.
According to Resistance records, she was a healer of little importance within their ranks. But Helena has inexplicable memory loss of the months leading up to her capture, making her enemies wonder: Is she truly as insignificant as she appears, or are her lost memories hiding some vital piece of the Resistance’s final gambit?
To uncover the memories buried deep within her mind, Helena is sent to the High Reeve, one of the most powerful and ruthless necromancers in this new world. Trapped on his crumbling estate, Helena’s fight—to protect her lost history and to preserve the last remaining shreds of her former self—is just beginning. For her prison and captor have secrets of their own . . . secrets Helena must unearth, whatever the cost.
⭐⭐
Rating: 2 out of 5.
REVIEW
THEMES: FANTASY, EMOTIONAL, TENSE, DARK ACADEMIA, SLOW-PACED.
Helena Marino is a prisoner being held by the enemy she once fought against. She is imprisoned in the residence of the High Reeve who is notorious for his murderous rampages. Even though her records show she is nothing more than a healer, she possesses something they want. The issue is, it is hidden within her mind and neither they nor Helena can access it. Helena must dig deep to reveal what is being hidden within her, though that raises the question… is it hidden for a reason? And will uncovering it save or doom her?
TW: Sexual assault, gore, torture, intense violence and much more.
Does this book need to be this long?
No. It really and truly does not. This could have been 500 pages.
The plot of the story is strong; the settings are described in detail, and I could clearly picture every place described. There is no misconception that SenLinYu is a talented writer. There were multiple points where I was looking forward to coming back to the story.
Whilst I did enjoy aspects of the book, the characters fell entirely flat.
Rant incoming.
I remember once I saw someone say that women often have to prove their greatness, whereas men do not. Helena and Luke are perfect examples. Luke is described as this incredible and selfless person, yet I never really see it. Helena sacrifices herself to the point of becoming a martyr, just for a measly pat on the back. Luke is simply decent – which is rather easy when you are from a privileged family!
You are kind of beaten over the head with how selfless Helena is. It gets to a point where she is just naive. I could never relate to someone who will ruin themselves for people who could care less, so maybe that is why I dislike her.
There are other bland and unrelatable characters throughout the book, but these are things I can get past.
What I can’t get past is normalising abuse. Just because this book is set in a time of war, where everything is dark and dreadful does not mean you can minimise what Kaine does to Helena. Kaine literally beats Helena senseless, violates her and humiliates her for about 500 pages. These instances are ‘mitigated’ by the fact that Helena is persevering because she is secretly trying to gain his trust. Although, conveniently when the time comes to use this secret ammunition, she has grown too fond of him. Shocker. All of this is simply because he cried about his dead mum and got hurt by his own alliance. Apparently, this wipes away all his horrendous abuse. The kicker is that he justifies it by saying he was doing it all to deter her… as if it was for her own good. After this point, he is romanticized – or their relationship is.
This continues to spread the message; ‘Ladies, if he is horrible to you just try a little harder because at some point, he may reward you with affection!’ And its harmful.
What gets me the most, is in the end, he is made out to be this misunderstood and valiant person. He literally murdered hundreds of innocent people to find a woman who he treats as more of a possession than anything else. I felt violated reading as Helena slowly and reluctantly gave into his advances.
I also just found out that this is a Hermione-Draco fanfiction come to life. I am officially turned off.
Sidenote: Crowther reminded me of Little Finger from GOT.
I will end this rant, even though I have more to say, but I don’t want to come off as a complete buzzkill.
In saying all this, I am not a big fan of ‘dark academia/fantasy’, so that definitely contributes to my rating.
From a fantasy reader (or just a reader), I would give this one a miss.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. They borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo: a game where players can escape the confines of a body and the betrayals of a heart, and where death means nothing more than a chance to restart and play again. This is the story of the perfect worlds Sam and Sadie build, the imperfect world they live in, and of everything that comes after success: Money. Fame. Duplicity. Tragedy.
Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, games as artform, technology and the human experience, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.
Sadie Green and Sam Masur love each other. They have a strong connection, which stems from their shared love of video games. They have been friends since childhood, after meeting at a hospital, under unfortunate circumstances. Despite their friendship resulting in a lifechanging venture, they must also brave heartbreak and betrayal. The question is, can they?
That was not what I was expecting.
The portrayal of friendship, especially Sadie and Sam’s, reminds me of Demon Copperhead. What I mean, is that it is so raw and real and doesn’t shy away from ugliness. Among many other things, I think the mark of a good book is when you hate the characters… some of the time. Obviously, I need balance, otherwise, If I detest a character I get into the habit of mumbling angrily and it’s not a good look.
I am impressed with how much story Gabrielle Zevin is able to fit into 400 pages. I have recently read a 1000-page book, and the characters don’t have half the depth of these ones (don’t even get me started). I am actually surprised that it is 400 pages, because it felt like so much more.
A fair warning, there are intense themes in this book, including; suicide, gore, sexual assault and, honestly, a consistent bleakness. That’s not to say there is no happiness in the book, but from my perspective, Zevin aims to perpetuate authentic relationships and events. So, it is not sugar coated or glossed over.
My only issue with the book is Sadie’s character. I feel there was a lot of lost potential, and her character solely revolves around her experiences with men. I have gone into more detail in my spoiler review.
If you like realistic books, like Demon Copperhead, I would give this one a go.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
On a bitter-cold day, in the December of his junior year at Harvard, Sam Masur exits a subway car and sees, amid the hordes of people waiting on the platform, Sadie Green. He calls her name. For a moment, she pretends she hasn’t heard him, but then, she turns, and a game begins: a legendary collaboration that will launch them to stardom. They borrow money, beg favors, and, before even graduating college, they have created their first blockbuster, Ichigo: a game where players can escape the confines of a body and the betrayals of a heart, and where death means nothing more than a chance to restart and play again. This is the story of the perfect worlds Sam and Sadie build, the imperfect world they live in, and of everything that comes after success: Money. Fame. Duplicity. Tragedy.
Spanning thirty years, from Cambridge, Massachusetts, to Venice Beach, California, and lands in between and far beyond, Gabrielle Zevin’s Tomorrow, and Tomorrow, and Tomorrow is a dazzling and intricately imagined novel that examines the multifarious nature of identity, games as artform, technology and the human experience, disability, failure, the redemptive possibilities in play, and above all, our need to connect: to be loved and to love. Yes, it is a love story, but it is not one you have read before.
Sadie Green and Sam Masur love each other. They have a strong connection, which stems from their shared love of video games. They have been friends since childhood, after meeting at a hospital, under unfortunate circumstances. Despite their friendship resulting in a lifechanging venture, they must also brave heartbreak and betrayal. The question is, can they?
That was not what I was expecting.
The portrayal of friendship, especially Sadie and Sam’s, reminds me of Demon Copperhead. What I mean, is that it is so raw and real and doesn’t shy away from ugliness. Among many other things, I think the mark of a good book is when you hate the characters… some of the time. Obviously, I need balance, otherwise, If I detest a character I get into the habit of mumbling angrily and it’s not a good look.
I am impressed with how much story Gabrielle Zevin is able to fit into 400 pages. I have recently read a 1000-page book, and the characters don’t have half the depth of these ones (don’t even get me started). I am actually surprised that it is 400 pages, because it felt like so much more.
A fair warning, there are intense themes in this book, including; suicide, gore, sexual assault and, honestly, a consistent bleakness. That’s not to say there is no happiness in the book, but from my perspective, Zevin aims to perpetuate authentic relationships and events. So, it is not sugar-coated or glossed over.
I feel let down by Sadie’s character. There was so much potential for her, but all she is reduced to is her experience with men. Whilst interacting with men is a fact of life, there is more to it than that. All of Sadie’s lore revolves around seeking validation from men or being betrayed by them. Why didn’t Zevin bring back her sister and explore that?
I am getting a little fed up with sexual assault/misconduct being a constant in female character building. I have mentioned this before in previous reviews. Sometimes, I am unsurprised due to the calibre of the stories, but this one had potential – hence my disappointment.
If you like realistic books, like Demon Copperhead, I would give this one a go.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks.
So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.
So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? That’s what June claims, and the New York Times bestseller list seems to agree.
But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.
June Hayward is nothing compared to Athena Liu. How can she flourish when she must work beside her ‘dear’ friend – the accredited and beloved author. That is until Athena dies. June Hayward, or now Juniper Song has taken it upon herself to honour Athena’s memory by stealing her manuscript and making it her own. Let’s just hope no one finds out….
I have been putting Yellowface off as it was described to me as weird. Weird is a little hard to decipher, as I find weird a good thing but there is certainly a bad ‘weird’. To me, this book falls under good weird.
Having read all of Kuang’s other novels, I was pleasantly surprised by her ability to adapt to a contemporary setting- for those who don’t know, Kuang is predominantly a Fantasy writer.
Whilst her signature sarcasm remains, this book feels more personal than the others. Her layered opinions on the publishing industry and its fickle mentality are insightful, although decidedly pessimistic.
I found the way she undermines June whilst also finding her humanity commendable. Kuang let the character speak for herself without forcing an agenda on the reader, allowing them to come to their own conclusion – which would presumably reflect their personal lens.
My only comment is that Athena could have had more substance. The way she is presented in the novel is slightly reductive, though I cannot go into depth as it would spoil.
I was captivated throughout the entire novel and look back on this book fondly- it may even be my second favourite Kuang book. June’s character reminds me a bit of the main character in My Year of Rest and Relaxation.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are valued only if their ovaries are viable. Offred can remember the years before, when she lived and made love with her husband, Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now…
Offred has had to adjust to a life of servitude. Her value is in her ability to birth a child. She must live day to day performing the same mundane tasks – in silence – to ensure her place. She must also battle with her mind as it plays back memories of her past life, and all she has lost.
I do not have much to say for this book, in the same way as I do not have much to say about Nineteen Eighty-Four and Fahrenheit 451.
I can see the impact they would have had at the time, as well as how they are proving to be accurate. I just do not find it quite as revolutionary as it has been made out to be.
I understand the appeal of the book, as it evokes an emotional reaction. I like political, dystopian novels as they are so important – especially now. But to write on such an ambitious topic and then have these flavourless, expendable characters seems reductive. I do not think the main character said anything inspiring, not even in her head.
This, to me, is another book that has a powerful, admirable message, but an underwhelming follow through.
Apologies to the Handmaid lovers, I will say, I am happy with the impact it has made on society. I just did not enjoy the book.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
There was only one thing on her mind. ‘I must start a bookshop.’
Yeongju did everything she was supposed to, go to university, marry a decent man, get a respectable job. Then it all fell apart. Burned out, Yeongju abandons her old life, quits her high-flying career, and follows her dream. She opens a bookshop.
In a quaint neighbourhood in Seoul, surrounded by books, Yeongju and her customers take refuge. From the lonely barista to the unhappily married coffee roaster, and the writer who sees something special in Yeongju – they all have disappointments in their past. The Hyunam-dong Bookshop becomes the place where they all learn how to truly live.
This is a story that explores the perspectives of a range of characters and their unique problems. Throughout, they find that the least likely of ventures can lead them exactly where they need to be, and all of them have one thing in common: the Hyunam-Dong Bookshop.
At first, I did not think much of this story. It was not that I did not enjoy the sentiment of it, but it felt like another one of those books with a similar plot. However, over time I noticed I was often applying it to my own life.
The plot is subtle but beautiful. Each character’s life revolves around the bookshop, where, essentially, they ‘find themselves’, whether through someone they meet or a book they read. Like What You Are Looking For Is In The Library, the main character, Yeongju, acts as a book therapist – helping people by recommending a book that correlates to their situation.
Whilst the characters are not overly flavourful – it doesn’t make the story dull; it actually helps the plotline shine. Each character experiences their own set of issues – though the aim is not to solve them but to help the characters find peace in their own lives with small changes.
This is a truly relaxing book that I recommend to literally anyone. It is short and sweet. Though, it would particularly interest readers who enjoy books such as The Full Moon Coffee Shop, Letters from the Ginza Shinodo Stationary Shop, etc.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
Lily is haunted by memories–of who she once was, and of a person, long gone, who defined her existence. She has nothing but time now, as she recounts the tale of Snow Flower, and asks the gods for forgiveness.
In nineteenth-century China, when wives and daughters were foot-bound and lived in almost total seclusion, the women in one remote Hunan county developed their own secret code for communication: nu shu (“women’s writing”). Some girls were paired with laotongs, “old sames,” in emotional matches that lasted throughout their lives. They painted letters on fans, embroidered messages on handkerchiefs, and composed stories, thereby reaching out of their isolation to share their hopes, dreams, and accomplishments.
With the arrival of a silk fan on which Snow Flower has composed for Lily a poem of introduction in nu shu, their friendship is sealed and they become “old sames” at the tender age of seven. As the years pass, through famine and rebellion, they reflect upon their arranged marriages, loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their lifelong friendship suddenly threatens to tear apart.
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
REVIEW
THEMES: HISTORICAL, EMOTIONAL, TENSE, SAD, MEDIUM-PACED.
Snowflower and the Secret Fan follows Lily as she must participate in the rituals that mark the beginning of womanhood. Luckily, she has her Laotong – sister for life, or old same – to endure by her side. Though, as they grow together – and apart – Lily starts to uncover the secrets kept from her in childhood.
Thankfully, this is a beautiful story – because I have three other Lisa See books on the shelf and chucking them all would have been rather inconvenient.
The plot is interesting, emotional and insightful. I also found it quietly captivating. Like Pachinko, it is not full of big reveals and cliffhangers, but it still captures you and keeps you intrigued.
Reading the expectations of girls and women from this period was arresting, especially from a modern, Western perspective. The descriptions of the practices they have to endure is intense and graphic but also informative – it really puts the reader in their shoes (pun-intended).
The characters feel authentic to the time – though I have not studied the mannerisms of Chinese women in the Nineteenth century. They are subtle, strong and unflappable. I also enjoyed the exploration of some of the more private, intimate moments the characters experience.
All in all, I really enjoyed reading this book and would say the storytelling and struggle is akin to Pachinko. I would recommend this to anyone who loves sister stories, historical fiction or Chinese fiction.
Warning: This book does contain domestic violence.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century.
1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha’s mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom.
1942: As World War II rages, Violet is trapped in her family’s grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives—and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom.
This story follows three women through three different time periods (1619, 1942 and 2019). Each woman has to endure their own struggles, which are all at the hands of men – however, they find strength in the inheritance of being a Weyward woman.
This is such a beautifully written, powerful story and I enjoyed every minute of it.
I have come to really appreciate novels that switch perspectives every chapter or so. It keeps everything compelling and captivating. Opposed to having one point of view for five plus chapters – whilst this can be more immersive, it also stagnates the storytelling.
Having the chapters jump back and forth to different time periods really emphasizes the strength of ancestral bonds. It is touching how much their ancestry acts as a support for the not-so-different struggles they face throughout the story.
Some sensitive topics are covered, such as domestic violence and rape. Personally, I think Hart describes it in a way that captures enough to feel the emotions and anger – but not enough to become overly graphic or crass (to me).
This is such a powerful story that everyone needs to read. Historical fiction, feminist literature and magical realism readers would also enjoy Weyward.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.
