By R.F Kuang
SPOILER-FREE

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena’s a cross-genre literary darling, and June didn’t even get a paperback release. Nobody wants stories about basic white girls, June thinks.
So when June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I.
So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? That’s what June claims, and the New York Times bestseller list seems to agree.
But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves.
REVIEW
THEMES: CONTEMPORARY, TENSE, DARK, EMOTIONAL, MEDIUM-PACED.
June Hayward is nothing compared to Athena Liu. How can she flourish when she must work beside her ‘dear’ friend – the accredited and beloved author. That is until Athena dies. June Hayward, or now Juniper Song has taken it upon herself to honour Athena’s memory by stealing her manuscript and making it her own. Let’s just hope no one finds out….
I have been putting Yellowface off as it was described to me as weird. Weird is a little hard to decipher, as I find weird a good thing but there is certainly a bad ‘weird’. To me, this book falls under good weird.
Having read all of Kuang’s other novels, I was pleasantly surprised by her ability to adapt to a contemporary setting- for those who don’t know, Kuang is predominantly a Fantasy writer.
Whilst her signature sarcasm remains, this book feels more personal than the others. Her layered opinions on the publishing industry and its fickle mentality are insightful, although decidedly pessimistic.
I found the way she undermines June whilst also finding her humanity commendable. Kuang let the character speak for herself without forcing an agenda on the reader, allowing them to come to their own conclusion – which would presumably reflect their personal lens.
My only comment is that Athena could have had more substance. The way she is presented in the novel is slightly reductive, though I cannot go into depth as it would spoil.
I was captivated throughout the entire novel and look back on this book fondly- it may even be my second favourite Kuang book. June’s character reminds me a bit of the main character in My Year of Rest and Relaxation.
Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.


















