By Paul Murray
SPOILER-FREE
The Barnes family is in trouble. Dickie is up to his armpits in debt and increasingly preoccupied with preparing for an apocalypse that may or may not be just around the corner. His wife, Imelda, has become invisible to everyone except Big Mike, a man with unsavory local connections and a long-running feud with her husband. Their teenage daughter, Cass, always at the top of her class, has started drinking and staying out late, though nobody seems to have noticed. And twelve-year-old PJ is spending more and more time online, talking to a really funny, friendly kid called Ethan who never has his camera on and wants PJ to run away from home.
Every step carries the family closer to a precipice, a moment of reckoning. It feels inevitable. But how far back would you have to go to change the story? To the day Dickie hired a beautiful, feckless young man to help him out in the garage? To the year before Cass was born, at the wedding where Dickie took the place that should have belonged to his brother? To the night Imelda was supposed to skip town but didn’t? All the way back to ten-year-old Dickie standing in the summer garden, trembling before his father, learning how to be a proper man?
REVIEW
THEMES: CONTEMPORARY, TENSE, DARK, EMOTIONAL, MEDIUM-PACED.
Ireland’s recession has affected many, including the Barnes family. Each member is facing the repercussions, causing a strain on the family dynamic. The question is, is this the root of the issue, or the straw that broke the camel’s back?
The Beesting provides a perspective from each member of the Barnes family. The children; Cass and PJ and the parents; Imelda and Dickie. Murray shows the importance of perspective, and how often we get it wrong. The juxtaposition between perception and true identity becomes obvious.
The characters are laid bare. Neither good nor bad, only complicated. I’ve become quite fond of them, which only intensifies the storyline.
Recently in the media, Ireland has been some-what romanticised. Through this book, Murray provides insight into the darker side of Irish history.
The family dynamic is unoriginal. I am tiring of the ‘kind’ but absent father, and ‘present’ but overbearing mother. It perpetuates such a sexist, reductive ideology that excuses men of fault.
Both the father and son have an endearing nature, which dilutes their flaws. Whereas the mother and daughter come across as cantankerous, despite justification.
Such a moving read. Would recommend if you enjoy reading about complicated families or fictional stories based on true events.
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