By Charlotte Wood

SPOILER-FREE

Two women awaken from a drugged sleep to find themselves imprisoned in an abandoned property in the middle of a desert in a story of two friends, sisterly love and courage – a gripping, starkly imaginative exploration of contemporary misogyny and corporate control, and of what it means to hunt and be hunted.

Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a ‘nurse’. The girls all have something in common, but what is it? What crime has brought them here from the city? Who is the mysterious security company responsible for this desolate place with its brutal rules, its total isolation from the contemporary world? Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl’s past is a sexual scandal with a powerful man. They pray for rescue – but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.

REVIEW

THEMES: DYSTOPIAN, DARK, TENSE, AUSTRALIAN FICTION, MEDIUM-PACED.

The Natural Way of Things is a powerful story set in the Australian bush. A group of women wake up in the middle of nowhere, each as confused as the other. They are forced to endure hard labour and humiliating rituals. As the story progresses, their pasts come to light—hinting at the real reason they are trapped in this desolate prison. Author Charlotte Wood touches on the prevalent issues surrounding the patriarchy, focusing on the all-too-real experiences women face every day.

What I adore about this book is Wood’s beautiful writing style. It is transportive, with precise and vivid descriptions. Even in the more negative reviews I have read, almost all mention Wood’s picturesque writing.

Each of the characters is described at face value; their attributes and flaws make them relatable, insufferable, and loveable. The inner and outer dialogue seem plucked from real conversations and thoughts, allowing readers to truly resonate with the story.

What I admire about Wood is that she treats the characters as people—not victims or even survivors. In stories such as these, it can be easy for authors to skate around the subject, cushioning each sentence to avoid potential offence. Whilst this is sometimes necessary, depending on the story, it can be more effective to acknowledge and move on than fixate and (sometimes) sensationalise.

I was able to get to know the characters beyond their trauma and pain. This allowed me to like and dislike them without my perception being affected by their past. Wood’s nuanced approach to trauma is impressive, as it can be hard to achieve in a respectful and appropriate manner.

What I also enjoyed was the theme of self-discovery under less-than-desirable circumstances. Even though it is a horrific situation, there is a silver lining (albeit a very small one).

The plot of the story is interesting but somewhat confusing. I do not mind this entirely, but I think she could have clarified some parts—I am still unsure exactly where they were and whether their situation was meant to be legal or illegal.

I think this is an important book to read. Like The Handmaid’s Tale, it explores relevant social issues and highlights how real the patriarchy is.

I would implore that everyone read this book. I absolutely love it. However, it is rather bleak, and the descriptions can get gory—so it is not for the weak-stomached. Funnily enough, I did not find it overly bleak, but I did listen to it as an audiobook, so that may be why.

Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.

LINK TO STORYGRAPH PROFILE.