Tag: Horror

  • My Top 10 Books of 2025

    My Top 10 Books of 2025


    In 2025, I read 68 books. My aim was 65, so I am rather pleased I was able to accomplish it. This year my aim is 75, or in other words, inevitable disappointment.

    2025 has been an amazing year that has opened my horizons through the books I have read;

    Fantasy has led me to herbology (The Poppy War, as well as most fantasy books) and etymology (Babel).

    Japanese fiction has led me to writing – and writing with the correct tools (Letters from the Ginza Shihodo Stationary Shop).

    And non-fiction has led me to animal behaviours and agriculture (Sapiens).

    I have concocted a list of my top ten books of the year – a mix of fantasy/magical realism, contemporary and horror.

    Rather than review the books, I will give a brief summary and then describe some elements I love about the books, but most importantly how they make/made me feel.


    10.

    The Natural Way Of Things

    Charlotte Wood

    Released 2015, 320 pages.

    The Natural Way of Things is a powerful story set in the Australian bush. A group of women wake up in the middle of nowhere, each as confused as the other. They are forced to endure hard labour and humiliating rituals. As the story progresses, their pasts come to light— hinting at the real reason they are trapped in this desolate prison. Author Charlotte Wood touches on the prevalent issues surrounding the patriarchy, focusing on the all-too-real experiences women face every day.

    What I found interesting about The Natural Way of Things is how surprisingly un-bleak I felt whilst reading – or listening (audiobook). Although the actual subject matter is daunting, the characters were able to shift the narrative by demonstrating endurance and escaping the — pity. Wood’s descriptive, colourful writing painted a vivid image, allowing my imagination to takeover and absorb everything.

    This book was not only a story, but a reminder of the society we live in. And whilst we may progress slowly everyday (in some countries), we must not forget those who suffer tomorrow, today and yesterday.

    This book made me feel outrage and admiration.

    For a more detailed review, click here.

    Warning; animal abuse, graphic violence.

    9.

    Welcome to the Hyunam-Dong Bookshop

    Hwang Bo-Reum

    Released 2022, 301 pages.

    This story revolves around a bookstore owner named Yeongju and her Barista, Minjun, along with their customers and friends. Each character is facing a problem in their life, whether it is work, relationships or internal. As the story progresses, each of them is shown that the least likely of ventures can lead them exactly where they need to be. And all of them have one thing in common: The Hyunam-Dong Bookshop.

    This is topical for me as I just completed ‘Every Day I Read‘, Hwang’s short memoir and collection of essays about writing and reading – review pending.

    Welcome to the Hyunam-Dong Bookshop grew on me. At first, it felt like a carbon copy of books like, Days at the Morisaki Bookshop – but the key difference is the impact it had on me.

    Hwang has such an approachable writing style, as though she is speaking with her readers. I have taken so much from this book – so much so – that I feel I should reread with a pencil in hand (a nod to Everyday I Read).

    This book made me feel inspired, motivated and warm.

    For a more detailed review, click here.

    8.

    The Sailor Who Fell from Grace with the Sea

    Yukio Mishima

    Released 1963, 181 pages.

    The Sailor Who Fell from Grace with the Sea follows a single mother, Fusako, and her son, Noboru. The dynamic between the two is complex and unconventional – which only becomes more bizarre once Fusako meets Ryuji, an experienced sailor. Noboru and his friends start to develop a set of expectations on how people should behave, and unfortunately Ryuji is not meeting that criteria.

    I read more horror than intended last year and enjoyed more than anticipated.

    The Sailor Who Fell from Grace with the Sea, explores some very disturbing themes which progressively worsen as the story goes on. Despite this, I still think of it often, somehow not perturbed by the creepiness.

    Mishima’s descriptive, fluent writing style allowed me to glide through the book. Whenever I think to this book, I don’t have an exact ‘feeling’, I just remember how easily I read it.

    For a more detailed review, click here.

    Warning; animal abuse, incestuous behaviours and gore.

    7.

    The Eyes are the Best Part

    Monika Kim

    Release 2024, 277 pages.

    The Eyes Are The Best Part is a story that follows Ji-Won as she experiences the trials and tribulations of what it is to be a Korean woman growing up in a western country (America). After her mother gets a new boyfriend, she starts to notice the striking colour of his blue eyes. Slowly this becomes an obsession, that leads to something far more sinister.

    If I have learnt anything from horror this year, it is that I can only read from the antagonist’s perspective. It is too jarring reading from the victim’s perspective, as it forces the reader to become the victim.

    That is why I love The Eyes Are the Best Part, which is the book that made me realise horror can be good. Kim has created a simple yet intriguing story that demonstrates the implications of gendered racism. She was able to find a perfect level of confusion and understanding – avoiding the predictable cliché of intense, ongoing mania.

    This book made me feel surprised, captivated and satisfied.

    Oh, and did I mention that this is her debut novel – her second novel Molka, will be coming out in 30th of April 2026.

    For a more detailed review, click here.

    Warning; gore.

    6.

    Kingdom of the Wicked

    Kerri Maniscalco

    Emilia and Vittoria are twin sisters who have grown up with warnings to avoid the Wicked. As witches, they must protect themselves from both supernatural creatures and humans alike.

    Though they are twins, Emilia and Vittoria couldn’t be more different. Vittoria is cynical and fiercely independent, while Emilia is gentle and content to spend her days experimenting with new recipes and cooking for her family’s Sicilian restaurant.

    All of a sudden, a string of murders begins to unfold around town — each victim a witch, each killing marked by the same eerie signs.

    To Emilia’s dismay, Vittoria goes missing. Her disappearance ignites something in Emilia, driving her to search for answers at any cost. But will she continue down this path when the truth leads her to her most feared enemy — Wrath, one of the Seven Wicked Princes of Hell?

    I read four fantasy series/trilogies this year, and this was my definitely favourite. Maybe it wasn’t the most highbrow, and there may be a good dose of corny material, but it was exactly what I needed at the time I read it.

    I may be cheating by having an entire series under one number, but it’s my blog, so, my rules. It also includes all of the Prince of Sin series as well, whilst I’m at it.

    I adore the ‘Princes of Hell’ concept. I was immersed throughout the entire series and thoroughly enjoyed every page. I actually liked the main characters and Maniscalco was able to catch me off guard a couple times.

    This book made me feel excited, anticipatory and happy.

    I go in more depth about the Kingdom of the Wicked and Princes of Sin reading order on this post.

    Throne Of Nightmares coming out 10th of February.

    5.

    Katabasis

    R.F Kuang

    Released 2025, 541 pages.

    Alice Law and Peter Murdoch, academic rivals – must journey to hell to retrieve their professor’s soul – after his unfortunate death caused by a ‘freak’ accident. Though, shockingly, it is not a walk in the park – the two must overcome their past and learn to work together, otherwise everything will go to…

    I have read The Poppy War series and Babel, and this is undeniably my favourite book from Kuang – which may be controversial.

    Katabasis is academic, intriguing and surprisingly romantic.

    I feel like I have a love-relationship with Alice. Kuang has a special ability of bringing out the worst in her characters yet making you inexplicably (maybe even begrudgingly) love them.

    The concept of venturing to Hell is right up my alley- as mythology is a keen interest of mine. Having two know-it-all scholars, essentially ‘nerd-off’ by debating the physics of hell, is comical. The one unexpected element I noticed whilst reading – which I haven’t seen in other reviews – is the dry humour. I was laughing throughout the entire story.

    This book made me feel excited, tense and, joyful?

    For a more detailed review, click here.

    4.

    Big Swiss

    Jen Beagin

    Release 2023, 325 pages.

    Greta is a transcriber for a sex therapist in her hometown. Day in and day out she listens to the secret intimacies of the people who live around her. Despite their identities being kept anonymous, she can identify them simply by their voice. One day, a client – Greta refers to as ‘Big Swiss’ -catches her attention. She is drawn to her cavalier, frank demeanour and enigmatic voice – so much so that she becomes enamored.

    Whilst walking her dog at the park, she hears that familiar voice. She goes and introduces herself with a fake name, not knowing this would lead to a bond like none she has experienced before.

    I think the blurb/overview of this book is somewhat misleading. Whilst there are sensitive subjects covered, it did not feel sinister or heavy.

    There are multiple reasons for this; Beagin’s remarkable writing style – with frequent insertions of dry humour and witty quips, coupled with Greta’s unflappable outlook on life.

    This book really struck me, because it made me realise that perspective is absolutely everything. Whilst this may seem obvious, it is one of those facts I knew of but did not conceptualize until reading the book.

    Big Swiss had a quiet impact on me; I did not know I would be placing it so high on this list, until I started constructing it.

    This book made me feel surprised, tense (at moments), and it made me laugh – not out loud, but with a smirk of appreciation.

    For a more detailed review, click here.

    Warning: graphic violence and sexual violence.

    3.

    The Binding

    Bridget Collins

    Released 2019, 438 pages.

    Working in the fields, Emmett Farmer lives a simple life tending to his family’s farm. One day he is sent a letter offering him an apprenticeship as a Bookbinder – a vocation that is frowned upon within the town he resides. Due to unexpected circumstances his parents have no choice but to send their son to the feared Bookbinder, Seredith.

    Bookbinding is a profession that requires the most unlikely of skills, the ability to transfer and trap memories into a book. If Emmett does not learn this craft, it will cost him his sanity.

    The books are discreetly hidden behind a vault, the key around the neck of his mentor. One day, he finds himself in the safe and makes the discovery that one of the books, has his name on it.

    This book was sitting on my bookshelf for ages, until I begrudgingly picked it up.

    The Binding is split into three parts. Whilst it did take me until half-way-through part one to get into it, I am sincerely glad I persevered.

    The concept of the book is interesting, and Collin’s execution of it is incredible. The layout of parts one, two and three are perfection – I do not believe there is a better way it could have been told. It is also split into perspectives, which I find refreshing, as it allows for a better understanding of what is happening.

    It is tricky to pinpoint what I love about this book, for fear of spoiling, so…

    It made me feel exhilarated, intrigued and utterly immersed.

    2.

    What You Are Looking For is in The Library

    Michiko Aoyama

    Released 2020, 245 pages.

    Characters from all walks of life, with an array of different personal problems are led to a community library. They are greeted by a peculiar woman, named Sayuri Komachi, who has a knack for felting. To their confusion, she gives them each a book they didn’t ask for. Little do they know, these books will help them in an unexpected, yet extraordinary way.

    I think I would be personally offended if someone told me they didn’t like What You are Looking for is in The Library. I can understand it not resonating, but to not have enjoyed it, is criminal.

    What stood out in this book, is how established the characters are. I have read books similar, and whilst they are good, they lack character depth. Somehow, Aoyama has managed to create five, interesting and independent characters, in 245 pages, split into five parts.

    The concept is endearing, and it has made a genuine impact in my life. It instilled motivation in me that has not left. I am now going out and doing all the activities I have been putting off, simply from reading this book.

    This book made me feel motivated, reflective and joyful.

    1.

    The Song Of Achilles

    Madeline Miller

    Released 2011, 378 pages.

    Patroclus, son of King Menoetius, is exiled to the court of King Peleus due to unfortunate circumstances. Whilst Patroclus is awkward, scrawny and timid, – Achilles – son of King Peleus, is the perfect Prince who is admired by all who meet him. Achilles and Patroclus find friendship in their differences and form a strong bond, growing together and becoming young men skilled in the art of war – despite the objections and meddling of Thetis, the cruel Sea Goddess and Achilles mother.

    Unexpectedly, it is reported that Helen of Sparta has been kidnapped and must be rescued. Patroclus for fear of losing his beloved companion, follows Achilles to Troy. What was originally a straightforward plan turns into something much more, where all they hold dear will be tested.

    Words cannot describe how much I adore this book. The title alone makes me feel all the emotions.

    The writing is impeccable, it is sacred, it is my bible. If The Song Of Achilles was a religion, I would worship it. The characters are loveable, hateable, perfect, flawed and devastating.

    I recommend ignoring the blurb – go into it completely blind (the overview I have written is spoiler-free). Then afterwards, listen to Hozier. Thank me later.

    This book made me feel every emotion.

    For a more detailed review, click here.

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  • Bunny

    Bunny

    Released 2019, 305 pages.

    Samantha Heather Mackey couldn’t be more of an outsider in her small, highly selective MFA program at New England’s Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort–a clique of unbearably twee rich girls who call each other “Bunny,” and seem to move and speak as one. 

    But everything changes when Samantha receives an invitation to the Bunnies’ fabled “Smut Salon,” and finds herself inexplicably drawn to their front door–ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies’ sinister yet saccharine world, beginning to take part in the ritualistic off-campus “Workshop” where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. 

    Rating: 1.5 out of 5.

    Samantha Heather Mackey – a student in a competitive MFA programme – has to deal with four peculiar women in her class, who affectionately call each other ‘bunny’. Despite frequently expressing her dislike for the bunnies, she cannot hide her pleasure when she is invited to one of their exclusive hangouts. As someone with few friends, she decides to go. Though, they are everything and nothing like she imagined – it is interesting how one night can push someone so far down the rabbit hole.


    Bunny is a novel which I remember in vivid detail – so I can confidently share that it is a book that leaves an impression.

    The characters are interesting, though a little cliche (loner who wants to fit in, nonconformist emo/alternative best friend, and a clique of ‘mean’ girls). However, Awad uses the plot of the story to distract from the unoriginal character dynamics – in saying that, with such an intense story, having simpler structures may be better suited. Otherwise, it could become over-the-top and confusing.

    Awad has a descriptive writing style and knows how to keep her audience captivated – I read this a while ago and still virtually remember everything that happens, which is rare, as I normally only remember snippets. Everything was so colourful and prominent; it really felt like I was Samantha.

    The reason I have given such a low rating is because it is not the type of horror I enjoy – if Awad wrote a horror/thriller in the sub-genre I prefer, I have no doubt I would love it. [I have written my unfiltered opinions on the Spoiler Review, if you wish to read more specifics.]

    This book reminds me of Boy Parts by Eliza Clark (which I also was not a big fan of), so if you enjoyed that, then definitely give Bunny a try.

    Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.

    LINK TO STORYGRAPH PROFILE

  • Bunny

    Bunny

    Released 2019, 305 pages.

    Samantha Heather Mackey couldn’t be more of an outsider in her small, highly selective MFA program at New England’s Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort–a clique of unbearably twee rich girls who call each other “Bunny,” and seem to move and speak as one. 

    But everything changes when Samantha receives an invitation to the Bunnies’ fabled “Smut Salon,” and finds herself inexplicably drawn to their front door–ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies’ sinister yet saccharine world, beginning to take part in the ritualistic off-campus “Workshop” where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. 

    Rating: 1.5 out of 5.

    Samantha Heather Mackey – a student in a competitive MFA programme – has to deal with four peculiar women in her class, who affectionately call each other ‘bunny’. Despite frequently expressing her dislike for the bunnies, she cannot hide her pleasure when she is invited to one of their exclusive hangouts. As someone with few friends, she decides to go. Though, they are everything and nothing like she imagined – it is interesting how one night can push someone so far down the rabbit hole.


    Bunny is a novel which I remember in vivid detail – so I can confidently share that it is a book that leaves an impression.

    The characters are interesting, though a little cliche (loner who wants to fit in, nonconformist emo/alternative best friend, and a clique of ‘mean’ girls). However, Awad uses the plot of the story to distract from the unoriginal character dynamics – in saying that, with such an intense story, having simpler structures may be better suited. Otherwise, it could become over-the-top and confusing.

    Awad has a descriptive writing style and knows how to keep her audience captivated – I read this a while ago and still virtually remember everything that happens, which is rare, as I normally only remember snippets. Everything was so colourful and prominent; it really felt like I was Samantha.

    The reason I have given such a low rating is because of the ending. Throughout the entire book, I struggled to differentiate between what was real and what was a hallucination – which became very tiring, very quickly. Whilst I noticed she has schizophrenia halfway through, I thought maybe just some of it was made up – but to find out it was all fake, I was livid. It is the equivalent to ‘and then she opened her eyes’. Essentially, I spent hours of my time reading a fictional manic episode – if it was a non-fiction at least I would have learnt something. Obviously, this is all personal preference, though I will never understand how anyone can enjoy being messed with for three hundred pages.

    This book reminds me of Boy Parts by Eliza Clark (which I also was not a big fan of), so if you enjoyed that, then definitely give Bunny a try.

    Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.

    LINK TO STORYGRAPH PROFILE

  • Perfume

    Perfume

    Released 1985, 263 pages.

    Born in sweaty, fetid eighteenth-century Paris, Grenouille is distinctive even in infancy. He has the finest nose in Paris and no personal odour. Süskind develops this idea into a tale of murder controlled by a loathing of humanity. 

    Rating: 4 out of 5.

    Since infancy Grenouille has had one notable quality, he has no personal odour – but ironically, the best nose in Paris and can distinguish a smell off a few inhales.

    Grenouille goes through life as an unremarkable man, that nobody notices. Though, this works to his advantage because one day, he smells something so incredible that he becomes obsessed.

    I have been trying to get into more classics this year, and Perfume has decisively good reviews – which I concur, as it is in my top three (for classics).

    The story centres around Grenouille and is set-in eighteenth-century Paris, which is described as a crowded, foul-smelling city. It starts off on bleak circumstances, setting the story up on a miserable note, which makes sense – but is misleading. It was not nearly as grim as anticipated, because the writing style effectively distracts from the more sinister elements of the story.

    The concept of Perfume is unique and something I have not encountered before, or since for that matter.

    Süskind has a way of making his readers question their own morality – because whilst the subject matter is perverse, having it written from the antagonists’ perspective changes the whole perception of the story. I found myself dismissing Grenouilles sinister hobby, because of his frank, almost innocent outlook.

    It makes you wonder whether a horror is only effective if told from the perspective of the ‘victim’ – since, in turn, that makes the reader the victim too.

    I would recommend this to any horror readers, especially if you are looking to get into the classics.

    You can also find this reviewed on ‘Books to cure your Reading Slump’.

    Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.

    LINK TO STORYGRAPH PROFILE.

  • The Sailor Who Fell from Grace with the Sea

    The Sailor Who Fell from Grace with the Sea

    Released 1963, 181 pages,

    A band of thirteen-year-old boys reject the stupidity of the adult world. They decide it is illusory, hypocritical and sentimental, and train themselves in a brutal callousness they call ‘objectivity’. When the mother of one of them begins an affair with a ship’s officer, he and his friends idealise the man at first, but it is not long before they conclude that he is, in fact, soft and romantic. They regard this disillusionment as an act of betrayal on his part – and the retribution is deliberate and horrifying.

    Rating: 4 out of 5.

    Warning; animal abuse, incestuous behaviours and gore.

    The Sailor Who Fell from Grace with the Sea follows a single mother and her son, Noboru. The dynamic between the two is complex and unconventional – which only becomes more bizarre once his mother meets Ryuji, an experienced sailor. Noboru and his friends start to develop a set of expectations on how people should behave, and unfortunately Ryuji is not meeting his criteria.

    This is such a strange book, it makes you wonder what the author experienced to even think to write it. It is not a ‘horror’, per say, but at times reads like one.

    The characters are interesting. Noboru and his friends are the epitome of childish arrogance, with their self-assured dogmatic views. It perfectly captures that time of youth when you think you know everything and it makes me cringe. However, their emphasis on male behaviours was an unexpected surprise. They set such rigid standards for how men should perform in society, and if they don’t act accordingly, they consider it unheroic- which is not what I would have anticipated from a group of young boys.

    His mother brings some much-needed normality to the book, nicely evening out all the absurdity. I found it interesting that she is the only main character who remains nameless. The boyfriend of the mother, Ryuji, is my favourite character. It is clear that he is simply making the best out of a strange situation and is a kind person. Though, his lenient response to Noboru spying on his mother was disturbing – though, what is more horrifying is the fact that Noboru wanted to be punished.

    The plot is intense and confronting – a child spying on his mother through a peephole, mercilessly beating a cat and murdering his mother’s boyfriend. Somehow, I felt nowhere near as bleak as I have with other books, that are far less severe.

    Overall, I enjoyed the book, despite the disturbing content. I would recommend to horror readers – or someone who has an interest in books that feature peculiar family dynamics.

    Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.

    LINK TO STORYGRAPH PROFILE.

  • The Sailor Who Fell from Grace with the Sea

    The Sailor Who Fell from Grace with the Sea

    Released 1963, 181 pages,

    A band of thirteen-year-old boys reject the stupidity of the adult world. They decide it is illusory, hypocritical and sentimental, and train themselves in a brutal callousness they call ‘objectivity’. When the mother of one of them begins an affair with a ship’s officer, he and his friends idealise the man at first, but it is not long before they conclude that he is, in fact, soft and romantic. They regard this disillusionment as an act of betrayal on his part – and the retribution is deliberate and horrifying.

    Rating: 4 out of 5.

    Warning; animal abuse and incestuous behaviours, gore.

    The Sailor Who Fell from Grace with the Sea follows a single mother, Fusako, and her son, Noboru. The dynamic between the two is complex and unconventional – which only becomes more bizarre once his mother meets Ryuji, an experienced sailor. Noboru and his friends start to develop a set of expectations on how people should behave, and unfortunately Ryuji is not meeting his criteria.

    This is such a strange book, it makes you wonder what the author experienced to even think to write it. It is not a ‘horror’, per say, but at times reads like one.

    The characters are interesting. Noboru and his friends are the epitome of childish arrogance, with their self-assured dogmatic views. It perfectly captures that time of youth when you think you know everything and it makes me cringe.

    His mother, Fusako brings some much-needed normality to the book, nicely evening out all the absurdity. The boyfriend of the Fusako, Ryuji, is my favourite character. Whilst at times his choices are, questionable – overall you can tell he is trying his best to make do with the situation at hand.

    The plot is intense and confronting, there are so many incidents that leave you feeling violated. Though, despite it all, I felt nowhere near as bleak as I have with other books, that are far less severe.

    Overall, I enjoyed the book, despite the disturbing content. I would recommend to horror readers – or someone who has an interest in books that feature peculiar family dynamics.

    Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.

    LINK TO STORYGRAPH PROFILE.

  • Books to cure your Reading Slump

    Books to cure your Reading Slump


    It is about time I create a list of Book Slump books, considering the name of my blog.

    So, I have compiled a list of books that will (hopefully) get you out of your Book Slump. In other words, I found these book easy to read.

    I have done one for almost each genre. Any genre that I have missed is either because I have not read from it or I have not ready anything ‘easy’ from it.

    Enjoy!


    Kingdom Of The Wicked

    Kerri Maniscalco

    Emilia and Vittoria are twin sisters who have grown up being warned to avoid the Wicked. As witches, they must protect themselves from both supernatural creatures and humans alike.

    Though they are twins, Emilia and Vittoria couldn’t be more different. Vittoria is cynical and fiercely independent, while Emilia is gentle and content to spend her days experimenting with new recipes and cooking for her family’s Sicilian restaurant.

    All of a sudden, a string of murders begins to unfold around town — each victim a witch, each killing marked by the same eerie signs.

    To Emilia’s dismay, Vittoria goes missing. Her disappearance ignites something in Emilia, driving her to search for answers at any cost. But will she continue down this path when the truth leads her to her most feared enemy — Wrath, one of the Seven Wicked Princes of Hell?


    Before I begin, I implore you to read book one without context – I feel like the blurb spoils too much. What I have written above excludes the spoilers.

    PRINCES OF SIN READING GUIDE

    1. Kingdom Of The Wicked trilogy
    2. Throne Of The Fallen
    3. Throne Of Secrets
    4. Throne Of Nightmares [expected February 2026]

    To preface, I recommend all of the Princes Of Sin book. However, you must read them chronologically to avoid spoilers – despite there being standalones. I made this mistake – by accidentally reading Throne Of The Fallen first -and it spoilt the ending of Kingdom Of The Wicked for me.

    I love this trilogy; it actually got me out of my most recent Book Slump. If you enjoyed; Crescent City or The Gods and Monsters series, then you will definitely love this. Having my most recent reads be classics, I desperately needed this palate cleanser.

    In some of the fantasies I have read, the main characters become insufferable because they never learn from their ignorance. They keep making the same mistakes repeatedly, and act like victims when it doesn’t pan out – it makes me want to scream, I hate it so much. Thankfully, the characters in this trilogy were appropriately ignorant and rarely made the same mistake twice (don’t quote me on that). It honestly caught me off guard, when a situation arose where there was an opportunity for idiocy, the characters did the opposite of what I assumed, which is refreshing.

    Maniscalco manages to find the perfect balance of predictability. At times, I was able to foresee outcomes but was equally in the dark at others. I absolutely adore the Princes of Sin concept and am so glad she has stuck with it.

    I find Emilia’s point of view amusing. She has flaws but never became overbearing or unrealistic – she actually reacted satisfyingly when she was treated unfairly. Though, it would have been great to read from other characters point of views – which she has since changed in her Prince of Sin standalone ‘series’.

    All in all, it is so perfect for the Halloween season and will keep you engrossed. I stayed up till four am, at least three times when reading this trilogy. I have since, begrudgingly, put measures in place to avoid this.


    The Seven Year Slip

    Ashley Poston

    Released 2023, 328 pages.

    As a publicist, Clementine works overtime to get the job done. Though, it is not solely for career progression, but to protect her heart. Using work as a shield, Clementine has cut herself off from love and refuses to embrace it fully.

    One day, she comes home – formally her late aunt’s apartment – to find a stranger standing in her kitchen. He is sweet, charming and charismatic, someone she could fall for under the right circumstances – which, unfortunately these are not – because he lives in the past… seven years to be exact.

    Her aunt always spoke of this phenomenon, but Clementine brushed it off, assuming her aunt was making up stories – which was in keeping with her wild, adventurous personality.

    It becomes difficult for Clementine to separate the past and present, whilst also being haunted by the memory of her aunt, whom she loved dearly.

    Can this mysterious man break down her carefully constructed walls and show her true love or will she shield herself, like she always does?


    Full disclosure, I have not read much normal romance, as I typically stick to romance within fantasy. Other than Alone With You in the Ether (which is not light), my frame of reference is a bit off. Though, this could work in my favour, since I found this an ‘easy’ read, I can speak from an inexperienced point of view – whereas a romance buff may have higher standards and find this book too light.

    Anyway, I enjoyed the concept of this book – especially as someone who loves fantasy, having some magical realism helped ease the transition. I found it really easy to get into – actually, I believe I finished it in one day, now that I think about it.

    Fair warning, the dialogue is diabolically cringe, like the worst of the worst – though, you probably gathered that if you have read the blurb. I audibly gagged at a couple of the conversations. It got to a point where I was praying Poston was being satirical – but devastatingly, I doubt it.

    I cannot confidently compare it to any books, due to my inexperience. However, there is overwhelmingly positive reviews for the book, hence why I read it – so to put it in Fantasy terms, it may be the Serpent and the Wings of Night of romance (please, do not quote me on that).

    The story is super light, the romance is prevalent, the intimate scenes are tame, and the plot is fun. I think it is perfect for a book slump or a palate cleanser in-between books. If you are someone who likes romance that is heavier, with realistic dialogue and substantial characters, then I would keep looking.


    Perfume

    Patrick Süskind

    Released 1985, 263 pages.

    Since infancy Grenouille has had one notable quality, he has no personal odour – but ironically, has the best nose in Paris and can distinguish a smell off a few inhales.

    Grenouille goes through life as an unremarkable man, that nobody notices. Though, this works to his advantage because one day, he smells something so incredible that he becomes obsessed.


    I have been trying to get into more classics this year, and Perfume has decisively good reviews – and I concur, as it is in my top three.

    The story centres around Grenouille and is set-in eighteenth-century Paris, which is described as a crowded, foul-smelling city. It starts off on bleak circumstances, setting the story up on a miserable note, which makes sense, but is misleading. Despite the grim topic, I was able to look past it because of the writing style.

    Süskind has a way of making his readers question their own morality – because whilst the subject matter is perverse, having it written from the antagonists’ perspective changes the whole perception of the story. I found myself excusing Grenouilles sinister hobby, because of his frank, almost innocent outlook.

    For me, the first part is a little slow. As it is predominantly setting up the story and was relatively tame (for a horror). What made me like the book was the second halve, especially the ending. So, if you find yourself bored at the beginning, just push through – to me the ending makes it worth it.

    If you enjoyed The Vegetarian by Han Kang, then I think you’ll enjoy this, and vice versa. As The Vegetarian also explores the themes of morality, and how perspective makes a significant difference to how a story can be perceived.

    I would recommend this to any horror readers, especially if you are looking to get into the classics.


    The Alchemist

    Paulo Coelho

    Released 1988, 182 pages.

    Santiago, an Andalusian shepherd boy, is content on travelling from town to town in his homeland, making money off of his sheep.

    One day, he is approached by a mysterious man claiming to be a King. He says that Santiago is destined to find great treasure, and that he must descend on his own personal journey to locate it.

    After some convincing, Santiago decides to follow the king’s urgings and embark on this adventure. Along the way, he meets some unusual characters and visits some interesting places – though it will not all be easy. By having to overcome great hardships, Santiago has to decide whether he can continue on this journey or if he will resort back to his comfortable life.


    Paulo Coelho’s The Alchemist is more of a self-discovery journey than anything else. With life lessons woven throughout the story, Coelho explores spirituality and the importance of signs. Each character plays an important role in the story and in Santiago’s life, serving their purpose — whether it’s to create an obstruction or provide helpful guidance.

    The story is easy to get through, with a consistent plot and practical characters. The Alchemist explores the unpredictability of life and how everything serves a purpose — even if it’s not clear at the time.

    Whilst I am recommending it, it is not my favourite classic. However, it is easy to read, unlike some of my preferred classics, which are too intense for a book slump.

    The main deterrent is how religious the book is throughout. I’m not a religious person, so I found it difficult to relate to — and I had high expectations due to the rave reviews, which I don’t feel it fully lived up to.

    I haven’t read many classics like The Alchemist, but if you enjoy Japanese fiction like Before the Coffee Gets Cold or Days at the Morisaki Bookshop, you may like this — as they too explore the theme of self-discovery and the idea that everyone has their own personal journey.

    As mentioned above, I would recommend The Alchemist to anyone seeking a book about self-discovery or personal inspiration. Those with a religious background may also find deeper meaning in the story. Additionally, I believe it would make a great novel to read to children.


    Lessons in Chemistry

    Bonnie Garmus

    Released 2022, 400 pages.

    Elizabeth Zott, Chemist at Hasting’s research, must endure the scrutiny of being the only woman in a male-dominated field. Left to do all the grunt work, Zott must fight for her job, as the alternative is being fired.

    One day, Zott meets Calvin Evans — a Nobel Prize–nominated chemist known for his reserved and brusque nature. Being hard-headed and combative herself, Zott has finally met her match. After some time, they – unsurprisingly – begin to the date – to the dismay of their fellow colleagues.

    Unfortunately, life does not go to plan, and Zott must upheave her life due to unexpected circumstances. This leads to her (begrudgingly) hosting a TV show called Supper at Six.

    Zott’s unorthodox approach to cooking captures the attention — and hearts — of women around the state. Despite the success of the show, Zott faces the hardships of being a woman in the spotlight. Her radical disposition challenges the social standards of what it means to be a woman — and not everyone likes it.


    I have excluded the spoilers in my description above; however I advise ignoring any other overview of the book as, I think, it spoils too much.

    Lessons in Chemistry is one of those books I assumed would be boring, because it is part (normal) romance and part historical fiction, based in America. Those are two things that do not particularly interest me — though this year, this book (among many others) has taught me that it’s not the content of a book, but the way it is written.

    If there was one word to describe Elizabeth Zott, it would be resilient. Garmus has created a beautiful character who is relatable with a dry and witty demeanour. I felt inspired by her; whenever she would receive unfair treatment, her response would be skilfully void of emotion. She aggravates other characters by being factual and rarely allows emotion to lead her in arguments.

    Initially, I was frustrated by the romance. To have a book be about societal and patriarchal struggles and then include romance, feels a bit reductive. However, Garmus executes it beautifully. Whilst there is romance, it does not overpower the plot.

    This may be contrary to popular opinion, but I hate the TV adaptation. It is so different to the book. I think Brie Larson was a perfect choice for the role of Zott, but the plot fell flat. They removed key parts of the book and added other elements which — whilst important — felt forced. I think they could have found a way to stay closer to the original script and still include the additional events without changing the trajectory of the story.

    I haven’t read anything quite like Lessons in Chemistry in terms of plot, but if you like established female characters like the ones in Big Swiss or The Rook, then I think you’d enjoy this.

    I would recommend this book to anyone, really. Naturally, if you’re interested in feminist literature or historical fiction, then definitely give it a go. But I think this is a book that anyone could enjoy.


    Red Sky

    Minzhi Xing

    Released 2023, 218 pages,

    Embark on a powerful journey of courage and resilience with Red Sky. This story is set in Mao’s Red China and explores the effects of the Cultural Revolution on a family. Follow Minzhi Xing as she navigates her way through the tumultuous times of Mao’s Red China, from being separated from her family for 10 years, to ultimately reconnecting with the strangers that were once her parents. Feel the power of perseverance through Minzhi’s story and be inspired to overcome whatever obstacles may come your way!


    The overview above is from StoryGraph. Since I read this a while ago, I didn’t want to risk misrepresenting the book. Red Sky isn’t a widely read book, and because I borrowed it from the library, I can’t do an extensive recall — but I’ll try my best.

    What I remember most about this book is Xing’s writing style. She writes as if she’s speaking to you, not down to you. She explains events in a simple yet informative way. Historical non-fiction can often be dense, filled with complex terminology — so being able to understand everything, without having to whip out a dictionary was refreshing.

    It’s impressive how much of her life she can recall- I struggle to remember anything prior to the age of ten (if that).

    Even though Xing wasn’t directly affected by Mao’s regime in the same way her parents were, she beautifully describes the devastating effects of his rule and the persecution of those who opposed him. She also shows how Mao’s leadership impacted China economically and socially the years after, as she grew up.

    Red Sky is a beautiful and compelling story that I highly recommend to anyone interested in Chinese history, general history, or memoirs and biographies. It is also perfect if you are looking to get into non-fiction, as it is not full-on.

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  • The Picture of Dorian Gray

    The Picture of Dorian Gray

    By Oscar Wilde

    Released 1890, 272 pages.

    ‘I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me … Why did you paint it? It will mock me some day – mock me horribly!’

    A story of evil, debauchery and scandal, Oscar Wilde’s only novel tells of Dorian Gray, a beautiful yet corrupt man. When he wishes that a perfect portrait of himself would bear the signs of ageing in his place, the picture becomes his hideous secret, as it follows Dorian’s own downward spiral into cruelty and depravity. The Picture of Dorian Gray is a masterpiece of the evil in men’s hearts, and is as controversial and alluring as Wilde himself.

    Rating: 3.5 out of 5.

    THEMES: DARK, REFLECTIVE, HORROR, LITERARY, FAST-PACED.

    A plot description was surprisingly hard to come by, but as in the overview, The Picture Of Dorian Gray is about a man who becomes obsessed with his appearance and will do anything to stop himself from aging.

    What I enjoy about this book is the plot, the characters and Wilde’s expression.

    The plot is captivating and well thought out. The best way to describe it is that you are experiencing someone else’s mania – but not in a jarring way that confuses you. Personally, I have yet to read anything like it, which is surprising considering the number of unavoidable repeats on the market nowadays, where the same idea gets re written in ten different ways.

    The characters feel appropriate to the time. Now, this is coming from someone who has no idea what they’re talking about, but if asked to show an accurate depiction of nineteenth-century Victorian elites, I would show an excerpt from this book. The characters are eccentric yet predictable — Gray being the exception. He has a raw, unapologetic nature, which leads me to believe he may have been Wilde’s alter ego.

    ‘Wilde’s expression’ means that I could feel him through his writing. Whilst I do not think this book is ‘LGBTQIA+’ – as there is no explicit homosexuality – Wilde’s writing conveys his preference for men, as there is an intensity within the male friendships (Gray and Wotton), that exceeds anything platonic. Then again, knowing Wilde’s sexual orientation may have swayed my judgement.

    Wilde’s writing style is generally consistent, though halfway through, there’s about ten pages of drivel. I understand the purpose: to encapsulate mania and/or portray the bottomless time Gray has on his hands — yet it falls flat and reads like word vomit. It feels as though Wilde is trying to show off his expansive knowledge of different subjects in a covert way.

    I’m not a fan of Lord Wotton’s character. The way he is written is so pretentious. His constant witty remarks and over-the-top language feel affected. And I have to blame Wilde’s writing, not just my dislike for the character.

    I also found the ending a little cliché — although, to be fair, this might be the story that started it all.

    All in all, it’s a decent classic. I banged it out in one day — though I’d avoid that. It’s bleak and gave me a headache.

    I would recommend this to lovers of classics (though it has probably already been ticked off the list), those looking to get into classic literature, and horror readers.

    Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.

    LINK TO STORYGRAPH PROFILE.

  • The Picture of Dorian Gray

    The Picture of Dorian Gray

    By Oscar Wilde

    Released 1890, 272 pages.

    ‘I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me … Why did you paint it? It will mock me some day – mock me horribly!’

    A story of evil, debauchery and scandal, Oscar Wilde’s only novel tells of Dorian Gray, a beautiful yet corrupt man. When he wishes that a perfect portrait of himself would bear the signs of ageing in his place, the picture becomes his hideous secret, as it follows Dorian’s own downward spiral into cruelty and depravity. The Picture of Dorian Gray is a masterpiece of the evil in men’s hearts, and is as controversial and alluring as Wilde himself.

    Rating: 3.5 out of 5.

    THEMES: DARK, REFLECTIVE, HORROR, LITERARY, FAST-PACED.

    A plot description was surprisingly hard to come by, but as in the overview, The Picture Of Dorian Gray is about a man who becomes obsessed with his appearance and will do anything to stop himself from aging.

    What I enjoy about this book is the plot, the characters and Wilde’s expression.

    The plot is captivating and well thought out. The best way to describe it is that you are experiencing someone else’s mania – but not in a jarring way that confuses you. Personally, I have yet to read anything like it, which is surprising considering the number of unavoidable repeats on the market nowadays, where the same idea gets re written in ten different ways.

    The characters feel appropriate to the time. Now, this is coming from someone who has no idea what they’re talking about, but if asked to show an accurate depiction of nineteenth-century Victorian elites, I would show an excerpt from this book. The characters are eccentric yet predictable — Gray being the exception. He has a raw, unapologetic nature, which leads me to believe he may have been Wilde’s alter ego.

    ‘Wilde’s expression’ means that I could feel him through his writing. Whilst I do not think this book is ‘LGBTQIA+’ – as there is no explicit homosexuality – Wilde’s writing conveys his preference for men, as there is an intensity within the male friendships that exceeds anything platonic. Then again, knowing Wilde’s sexual orientation may have swayed my judgement.

    Wilde’s writing style is generally consistent, though at times it becomes erratic. There is a part of the book that goes on a deranged tangent which I still cannot understand. If you have read the book, you may know what I mean. I also do not care for one of the characters. He is written in a rather pretentious manner, which I found off-putting.

    All in all, it’s a decent classic. I banged it out in one day — though I’d avoid that. It’s bleak and gave me a headache.

    I would recommend this to lovers of classics (though it has probably already been ticked off the list), those looking to get into classic literature, and horror readers.

    Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.

    LINK TO STORYGRAPH PROFILE.

  • Our Wives Under The Sea

    Released 2022, 232 pages.

    Miri thinks she has got her wife back, when Leah finally returns after a deep-sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home.

    To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp. Memories of what they had before – the jokes they shared, the films they watched, all the small things that made Leah hers – only remind Miri of what she stands to lose. Living in the same space but suddenly separate, Miri comes to realize that the life that they had might be gone.

    Rating: 4 out of 5.

    Whilst it is accurate to describe this book as ‘horror’, it is not in the way you would think – as it is nothing like the horror books I have read prior. The best way I can describe it, is that it is ‘symbolic horror’, which I am pretty sure I just made up.

    Armfield’s storytelling was exceptional, I have never been more captivated by an author’s style of writing before. She has such a relatable way of conveying points. It felt conversational. By this I mean quotes like, ‘It went on too long and too helplessly. The way anyone who sneezes more than four times abruptly loses sympathy of an audience’. To me, this is such a human experience, articulated in a clever and witty way.

    The juxtaposition between Miri and Leah’s point of view was jarring. It makes it hard for the reader to decide who to sympathize with more. ‘Watching’ Miri mourn her living wife and revisit their fondest memories, then reading Leah’s final letters to Miri was devastating. I felt a pang in my heart during their final parting – the fact they had to let go of each other but insured that the other person was allowed their closure was touching.

    The biggest takeaway I got from this story is to treasure the relationship you have with your loved ones, and not to take it for granted.

    I would recommend this to someone who is trying to get into horror as it is a tame gateway book. Though, I would recommend anyone give this book a go, as Armfield’s writing style is very charming and fresh.

    Click link below for Storygraph overview, which includes general rating, summary (same as above) and other reviews.

    LINK TO STORYGRAPH PROFILE